Cannes review: On Becoming a Guinea Fowl is a riveting tale of sisterhood and trauma
Director Nyoni delivers a riveting story of sisterhood and buried trauma in Zambia, exploring culture and challenging patriarchy.
Director Rungano Nyoni's latest film, 'Guinea Fowl,' delves into the complexities of sisterhood and buried trauma in Zambia, captivating audiences with its exploration of Zambian culture. Nyoni's ability to immerse viewers in a world of enigmatic characters is evident from the start, as we follow Shula (played by Susan Chardy) on a journey that blurs the lines between reality and fantasy.
The film opens with Shula discovering her Uncle Fred's lifeless body on a desolate road, setting the stage for a narrative that unravels the intricate relationships between Shula, her cousin Nsansa (played by Elizabeth Chisela), and the deceased. As Shula navigates the aftermath of Fred's death, we are drawn into a web of surreal flashbacks and poignant moments that highlight the impact of trauma on individuals and communities.
What sets 'Guinea Fowl' apart is its exploration of the generational dynamics within Zambian society, particularly the complex relationships between women. Shula's journey towards self-discovery is intertwined with her observations of her mother and aunties, who grapple with societal expectations and the ingrained patriarchy that shapes their lives.
Despite the film's dark themes, Nyoni infuses 'Guinea Fowl' with moments of levity and humor, particularly through Shula's interactions with her father. The visually stunning cinematography and haunting score by Lucrecia Dalt enhance the film's emotional depth, underscoring Shula's internal struggles and resilience.
'Guinea Fowl' culminates in a powerful message of unity and compassion, echoing Nyoni's signature themes of empathy and hope. Premiering at the Cannes Film Festival, this thought-provoking masterpiece invites viewers to reflect on the complexities of trauma, sisterhood, and the enduring power of resilience in the face of adversity.
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